which he knows nothing about. It is obvious, rather, that anyone who claims to be knowl-
edgeable about the subsequent names, must first and foremost be able to explain the first
names, or rest assured he will already be talking nonsense about the subsequent ones. Do
you disagree?
HERMOGENES: Not at all, Socrates.
SOCRATES: Well, any observations of mine about the first names really seem presumptuous and
absurd. Now, although I am prepared to share them with you, if you wish, you should also
make an effort to share with me if you have anything better.
HERMOGENES: I shall do so, but you should take courage and speak on.
SOCRATES: Well, in the first place, the letter ‘r’ appears to me like an instrument of all motion,
although we have not explained why ‘motion’ (kinēsis) has this name. Now ‘kinēsis’
(motion) should obviously be ‘hesis’ (going toward), for in ancient times we did not use
the letter ‘ē’ but the letter ‘e’. And this word ‘kinēsis’ (motion) starts with ‘kiein’, a foreign
word that means ‘to go’. So we would find that the ancient word corresponding to the mod-
ern word would more correctly be ‘hesis’. But nowadays, from the foreign word ‘kiein’ and
from the change of ‘e’ to ‘ē’ and the insertion of ‘n’, it has been called ‘kinēsis’, although
the word should be ‘kieinēsis’. The word rest (stasis) means the negation of motion, but to
make it sound nicer, it has been called ‘stasis’. The letter ‘r’, as I was saying, seemed to the
name-giver to be a good instrument of motion for the purposes of imitating movement, and
he often uses it accordingly. Firstly, in the words flowing (rhein) and flow (rhoē), them-
selves, he imitates their movement by means of this letter. Then, in the word ‘tromos’ (trem-
bling), ‘trechein’ (running) and in such verbs as ‘krouein’ (striking), ‘thrauein’ (breaking),
‘ereikein’ (tearing), ‘thruptein’ (crushing), ‘kermatizein’ (crumbling), ‘rhumbein’ (whirling),
he gives expression to all these, for the most part, by means of the letter ‘r’. For I think he
observed that with this letter, the tongue is least at rest and most agitated, which seems to
be the reason why he used this letter for these words. Again, he uses the letter ‘i’ for every-
thing subtle that passes through all things. That is why he imitates ‘ienai’ (going) and
‘hiesthai’ (rushing) by the letter ‘i’, just as he uses ‘ph’ and ‘ps’ and ‘s’ and ‘z’, which
involve a lot of breath, to imitate everything of this sort, in words such as ‘psuchron’ (cold),
‘zeon’ (boiling), ‘seiesthai’ (shaking) and ‘seismos’ (shock). Indeed, the giver of names,
whenever he imitates anything that involves wind, always appears to introduce letters of
this sort. Then again, it looks as if he regarded the force of the compression and pressure of
the tongue associated with ‘d’ and ‘t’ as useful for imitating ‘binding’ (desmos) and ‘stop-
ping’ (stasis). Noticing that the tongue glides most of all in pronouncing ‘l’, he imitated
this in the words ‘leia’ (smooth), in the word ‘gliding’ (olisthanein) itself, and the words
‘liparon’ (sleek) and ‘kollōdes’ (viscous), and various other words like these. By the force
of the letter ‘g’, which opposes the gliding of the tongue, he imitated ‘glischros’ (sticky),
‘glukus’ (sweet) and ‘gloiōdes’ (glutinous).
Again, observing that the letter ‘n’ is sounded within, he gave us the words ‘endon’
(inside) and ‘entos’ (within), producing a likeness to these by means of the letters, and again
he used ‘a’ for the word ‘mega’ (large) and ‘ē’ for ‘mēkos’ (length) because these letters
are long. Because he needed the letter ‘o’ to indicate roundness, he mixed a lot of this letter
into the word ‘gongulos’ (round). In this way, the convention-setter, it appears, made the
other letters into resemblances, making an indication or a name for each of the things that
are with letters and syllables, and from these he then compounded the rest of the names by
a process of imitation using these names. This, as I see it, Hermogenes, is what it means
for names to be correct, unless Cratylus has an alternative suggestion.
HERMOGENES: Well, Socrates, as I said at the outset, Cratylus often bothers me quite a lot, main-
426 b
426 c
426 d
426 e
427 a
427 b
427 c
427 d
144 | CRATYLUS – 426b–427d